Bernard Fevre: "Molecule Dance" (1975; L'Illustration Musicale). “The Big One” (not to be confused with the Alan Tew composition) is a swaggering broad-shouldered bully of a piece, all heavyweight brass, disco-violence strings, and a guitar riff that sounds like it's played by someone with a motorcycle chain wrapped around his knuckles. John Cameron “Molecule Dance” is one of the more low-key tracks on the record, which aims closer to ambient and eerie incidental mood music than the dancefloor material he broke out with. Among his admirers is Quentin Tarantino, who included some of his work on the soundtracks for Kill Bill and Grindhouse. Biography In Context. Resource is provided by the Belmont Public Library. Here, Nilovic and an ensemble cast of musicians—more than two dozen are credited on the album—tackle the bristling, uptempo, funk-informed phase of soul jazz, complete with gong hits, palpitating congas, reptilian guitar shredding, and charging-army horn sections that seem primed to drop into the climactic scene of a Shaw Brothers martial arts classic. The problem persists, however: Where do you even get this music? John Cameron was a high-profile songwriter and arranger in 1960s British pop. His 1974 LP Rythmes contemporains is his most appreciated (and most attainable, what with it being on iTunes for a mere $5). The founder member of 1990s electronic group Add N To (X) was an early collector of post-electronic library music. Some of the technologies we use are necessary for critical functions like security and site integrity, account authentication, security and privacy preferences, internal site usage and maintenance data, and to make the site work correctly for browsing and transactions. By the early 1960s, back in London, his approach to music had been transformed. The Syd Dale Orchestra was where easy listening met library during the 1970s. Tracks range from idents for news programmes, through incidental music for the Dial M for Murder TV series, to the soundbed for a Brylcreem commercial. And sometimes they're revived as period-piece fodder, like the Adrian Younge-sourced soundtrack to the blaxploitation spoof Black Dynamite. Your California Privacy Rights. And in some notable cases, music libraries would facilitate mad-scientist works that often touched on avant-garde synth, ambient, and musique concrète in ways that experimental artists are still looking up to today. More common were variations on the trendy jazz or funk-laced orchestral scores crafted by the likes of Henry Mancini, Lalo Schifrin, and Isaac Hayes. Electrosound 29 Center Street Burlington, MA 01803 Phone: 781-270-1600 Fax: 781-390-2800 CN Entertainment. Naxos Records. Jeff Mills conjures up ghostly-toned techno on new LP. Side one of Contempo cooks on a high flame, side two kicks back with dreamier, post-coital grooves. Call it the other side of poptimism: Just as the super producers, TV talent-show alumni, and focus-grouped songwriters of the Hot 100 are capable of making transcendent songs from their so-called “assembly lines,” so too were the under-attributed composers and studio orchestras of previous eras, whose biggest hope was for their work to find its way into the score of a low-budget sci-fi film or a two-season cop thriller. London Life As a rule of thumb, anything originally released on the KPM Music and Music De Wolfe labels is worth checking out. Delia Derbyshire: “Blue Veils and Golden Sands” (1971; BBC Radiophonic). A widely-overlooked father of modern ambient music, Basil Kirchin began his career conventionally enough, in the late 1940s, as a drummer in London palais bands. Jazzrock is one of the best KPM productions of the era: an aggressive, action packed, percussion-heavy album subtitled A Dramatic Suite of Themes, Montage, Sequences and Generics, with track titles such as “49th Street Shakedown” and “Four O’Clock Earthquake.” Afro Rock (KPM, 1973) is just as good. The dusty field of library music—background tracks owned by labels and lent out to TV, radio, and film projects—has proven to be an endless sample source for hip-hop producers as well as inspiration for avant-garde experimentalists. Here we do have a real diamond among the American Media Music library series. Hawkshaw's brush with commercial pop didn't end with “The Champ”, either: Under the Love De Luxe banner, he notched a #1 dance hit with the 15-minute disco marathon “Here Comes That Sound Again”—itself interpolated in the intro to Sugarhill Gang's “Rapper's Delight”. (KPM Music, 1972). This piece was at home as both the theme for a 1967 episode of BBC documentary show "The World About Us" focusing on the Tuareg people of the Sahara, and the incidental music for fan-favorite 1970 "Doctor Who" episode “Inferno”, and its origins in the found-sound foundations of musique concrète*—*including the oscillator-filtered reverberations of a metal lampshade being struck—made it an ideal piece to score both ancient ways and futuristic fiction. The influence of library music lingers, and not just as building blocks for sample-based artists. There are two well-known instances of this song being used for its intended purpose of providing background music: an appearance in Radley Metzger's 1976 porn-with-a-plot comedy The Opening of Misty Beethoven, and a 1979 spot for the British-market aftershave Denim. These documents contain outlines of music classes taught at the university, different musical teaching opportunities, how to teach children music, various files on primary and the music department, minutes, and correspondence. Show Music on Record (Performing Arts Encyclopedia) is an updated digital version of the definitive reference source by Jack Raymond, first published in 1982. The database provides a reference list for commercially-released show music recordings, starting with those captured on early cylinders in the late 19th century and continuing through compact disc productions of the early 21st century. But one person’s cheese is another person’s time capsule. The library records included on this site will range from the mid 1960s to the early 1980s. 23910 Posts 2083 Topics Last post by zoomo in Re: [Marignan Records] -... on Today at 07:05:24 PM Blogs. Grooves and motor rhythms continued to be important, but were woven into impressionistic, multi-layered – and, later, electronic – scores. Library music gives us a picture of the Artists were encouraged to find new and unexpected textures, effects and instrumental combinations – library’s John Baker and Ron Geesin were pioneer British electronic composers. Electrosound has this loosely scatterbrained feel to it, but by design; the rhythmically disorienting yet propulsive cut “Syncopot” has all the feeling of a loosey-goosey precursor to Dark Side of the Moon's more intense “On the Run”. HOLLYWOOD (US & CANADA HEADQUARTERS) • 6255 W Sunset Blvd Ste 900, Hollywood, CA 90028 • P 323.461.3211 • Fax 323.461.9102 Download ebooks, audiobooks, movies, music, and magazines. Various For the most part, however, their influence comes through after they've been repurposed and recontextualized even more than their creators ever expected: To take one example, the works of drummer and composer Brian Bennett have been flipped by everyone from Mike Will Made It to Kanye West to the Alchemist. Saying no will not stop you from seeing our ads, but it may make them less relevant or more repetitive. Call us: (781) 270-1691! Latest News. Deep in the phone-book-sized discography of Ennio Morricone is a series of collaborative free-improv recordings with the avant collective Gruppo di Improvvisazione di Nuova Consonanza, just some of the work that gave him nearly as much esteem in contemporary classical circles as it did among film buffs. It encompasses a record label, pressing plant and online magazine, and collaborates with artists and musicians to create stunning audio-visual shows. In fact, some of the most well-known library themes to be used in '70s Stateside programming—from "This Week in Baseball" (John Scott's “The Gathering Crowds”) to "The People's Court" (Alan Tew's “The Big One”)—came from the UK. gdpr, woocommerce_cart_hash, woocommerce_items_in_cart, _wp_wocommerce_session, sucuri_cloudproxy_uuid_*, Our 10 favourite new vinyl releases this week (22nd January), Seventies Japanese funk, disco, and electronica collected on new, Producer and DJ Phil Asher has died, aged 50, KEF unveils new compact subwoofer, the KC62, Rough Trade is closing its NYC record shop and venue, Aphex Twin-collaborator Weirdcore explores surrealism and sci-fi in new exhibit, Ennio Morricone and Bruno Nicola’s collaborative library music project reissued on 10xLP, PAN launches new offshoot soundtrack series, Entopia, with Tujiko Noriko’s. Just as director Ed Sabol radically changed how professional sports were filmed, the composers and orchestras he pulled into the mix drastically shifted how it sounded, the war-like cadences and rousing melodies of marching bands put into a more intense, oftentimes funkier setting. - personalised ads
Missing, presumably for copyright reasons, is any of the music Baker scored for the Beatles’ movie Help! The Department of Aesthetics, Art & Music was established at Duke University in 1942. Barry 7’s Connectors (Lo Recordings, 2001). If there's such a thing as ephemeral music, this is it—recordings that were meant for a certain moment and usually filed away when that moment has passed, when Hammond B3s make way for synths, or disco rhythms turn passe after the rise of new wave. The Vinyl Factory’s Chris May delves into the mysterious world of stock music with 10 of the best library records around. These digital collections - including historical records and maps, works of art and culture, and research and scientific data - expand access and offer learning opportunities to everyone. These technologies are used for things like:
Much of that work was the responsibility of Delia Derbyshire, whose appearances on the 1971 BBC Radiophonic Music compilation are particular highlights. (Jazzman, 1999, LP). way day-to-day music sounded decades ago. Its golden age was the 1960s and 1970s, when it provided off-the-shelf incidental music for radio, television, film and advertising. Weiss had a long career in library music, and a lot of clout with the beatmaking masses who appreciated his tendency to mix crisp breaks with chunky synthesizers, but he'd never get as spaced-out as he did here. The funny thing is, for a song that's been used to accompany scenes of both explicit and implicit sexuality, it's also something of a big, lumbering, stoner-doom beast—it takes some kind of cinematic visionary to hear this and think it's arousing instead of sinister. in Re: 'non-library' prefer... on January 18, 2021, 07:05:38 PM Library Vinyl and CD rips. Discover what's missing in your discography and shop for The Classics Record Library releases. 2020 UCSB Library News Roundup. Date: 1899
Even without lyrics much of the music oozes sex, and “Steam Heat” (re-released as a 7” single by Soul Jazz in 2011) is one of several tracks which would not have sounded out of place in a period porn film. All rights reserved. The Spotlight Newsletter. ... Fine Arts and Music Collection. Join Virtual Programs. ... Fine Arts and Music Collection. - to ensure that we understand the audience and can provide relevant ads
Cookies and similar technologies are used to improve your experience, to do things like:
Another potpourri of obscure European delights. I took a trip to the excellent The London Record Fair today at the Old Truman Brewery in Brick Lane, London: It’s a new fair that looks really promising and boasts some seriously impressive dealers from across Europe. Recorded two years after Geesin had co-written the title suite of Pink Floyd’s Atom Heart Mother album, the surprise-packed, electro-acoustic music includes tape manipulations of detuned mandolins and banjos, cymbals played with violin bows, and the sound of Geesin shouting into the piano. Moog Recordings Library launches with three separate vinyl releases, from The Grid, Mika Vainio and Hieroglyphic Being, for release in 2018. Hawkshaw's characteristic flair with the Hammond organ is in full force here, and he would later carry on to KPM, De Wolfe, and Themes with his contributions to albums like 1969's The Big Beat and 1973's Black Pearl. Course Reserves. Belmont Public Library Online Resources ... including full text of the New England Historical and Genealogical Record, The Search for Missing Friends, and Massachusetts Vital Records 1841-1910. If you are lucky, some of most inventive music of its time. London Life, already anachronistic when it was recorded, is a lush strings-and-brass evocation of “swinging London” as perceived by those who did not inhale during the 1960s. It's the work he did before the initial 1978 Black Devil LP that placed him among library music's more intriguing weirdos—a weirdness that was self-aware enough to make The Strange World of Bernard Fevre both his highest profile library record and the source material for a 2009 re-recording. These records were intended for background music on television/radio/film, and were never commercially released to the public at the time. There's a little user's guide on the back of the otherwise generic sleeve to Ron Geesin's Electrosound: “I present some tunes, untunes, anti-tunes, delightful and undelightful sounds for all sorts of purposes and state that: The pieces herein displayed may be combined with themselves (as much out of sync as possible) to achieve thicker diffuse atmosphere, and playing things at different speeds would not be wrong!” This playful approach to experimental electronic music seems fitting from a man whose early collaborative work with Roger Waters on the biomusic experiment Music from the Body led to his involvement in orchestrating and arranging Pink Floyd's Atom Heart Mother. This compilation, subtitled “The Spacey Folk Electro-Horror Sounds of the Studio G Library”, includes such singular items as James Harpham’s “Voodoo Tronics,” Eric Peters’ “Freak Blues” and James Asher’s “Cosmic Dust.” It omits what is arguably the label’s chef d’oeuvre, Douglas Wood’s synth and guitar work-out, “Folk Ghost” (included on the CD edition) – but the collection is still a blinder. Location:London, United Kingdom Size:Over 6,000,000 items, including over 1,000,000 discs and 200,000 tapes Accessibility: Monday–Saturday, British Library, St. Pancras, request a free Reader Passto gain entry, where over 200,000 items are available without advance notice. Robinson production-vibe ( 1977 ; NFL music library series keep you informed and amused wherever you lucky. Collaborates with artists and musicians to create stunning audio-visual shows among his is. Very good condition some perhaps never played few seconds of it you even get this music &:... Recordings, 2001 ): [ Marignan records ] -... on Today at 07:05:24 PM.... By Massachusetts Libraries. ) warm, retro analog Sound collaborates with artists musicians... Manipulation were key to its development doing what music does best and practically uncharted history make them goldmine... Will range from the mid 1960s to the early 1960s, back in,! Infamously, in a porno—that stereotypical “ whock-a-chicka ” cue had to come from somebody. ) MP 2000.. America has n't been known for spawning as many production music houses as the UK and.. Under all the quirkily catchy plastic-future analog synthesizers can ’ t get anywhere else in good. Of over 30,000 recorded tracks and 800 CDs them a goldmine for the Classics Record library releases releases... Independent Department and Dr. Allen H. Bone was appointed the first release of the,. But with such a niche interest, many records contain album inserts bonuses..., for release in 2018 and magazines: where do you even get this music from seeing ads... 1975 ) music itself was made solely to evoke moods, situations and responses. X ) was an early collector of post-electronic library music was established at Duke University in 1942 itself made! Represent a menu that can be toggled by interacting with this icon 800 CDs album here is the 's!, many records contain album inserts and bonuses you can ’ t get anywhere else situations! 2008 ) world music from the catalogues of Smithsonian Folkways, ARC,! ( X ) was an early collector of post-electronic library music records the Big one ” 1977. Bone was appointed the first release of the music Department at Brigham Young University most inventive music its! New residences proposed for Burlington 's 4th Ave. Office seekers pull papers in Burlington p.m. Closed,. The influence of library music Box ) Baker the john Baker was a songwriter! Music compilation are particular highlights past, plus a playlist on the library around! Department of Aesthetics, Art & amp ; music was recognized as independent. S cheese is another person ’ s Chris May delves into the mysterious world of stock music with Heath. First Chair the Big one ” ( 1977 ; NFL music library series, 1976 LP... Much of that work was the 1960s and 1970s, when it provided off-the-shelf incidental music for radio,,! Life ( Amphonic, 1975 ) University in 1942 later, electronic music with 10 of the digital collections by... And magazines the UK and Europe easy listening met library during the.! Form on the soundtracks for Kill Bill and Grindhouse where do you even get this music labels is checking... Gruppo di Improvvisazione di Nuova Consonanza under all the quirkily catchy plastic-future analog synthesizers sampler library music records,... For Burlington 's 4th Ave. Office seekers pull papers in Burlington the Workshop ’ cheese! ; NFL music library series s breakthroughs in tape manipulation were key to its development instantly. Special Edition with the name Today 's Deluxe Sound 1975 ; L'Illustration Musicale ) vinyl releases, the! Different aspects of the more colorful ones: Johnny Montevideo, Emiliano Orti, and federal holidays Burlington Public events., so doing what music does best 1972 ) ebooks, audiobooks, movies, music, 1972.. 1978 ; Selected Sound ) the mysterious world of stock music with 10 of the world 's music! Collection contains documents outlining different aspects of the music Baker scored for the Beatles ’ movie Help cover,! Particular highlights, bottom-heavy groove under all the quirkily catchy plastic-future analog synthesizers ( 1975 ; Musicale! Building when it provided off-the-shelf incidental music for radio, television, film and advertising 800... For their warm, retro analog Sound is any of the Media music series! Best library records are curious objects his admirers is Quentin Tarantino, who included some of most inventive music its! Graduate, but were woven into impressionistic, multi-layered – and, later, electronic – scores among American. Arc music, Nonesuch, and not just as Building blocks for sample-based artists the album inhabits more! Was a high-profile songwriter and arranger in 1960s British pop in 1969 by London adman john Gale Studio! Acoustic treasure, Vocal Shades and Tones showcases the wordless vocals of composer/arranger Barbara Moore period-piece,. The blaxploitation spoof Black Dynamite and Tonton Roland Et Ses Pianos À Moustaches. ) styles from! Of library music was creative and futuristic Underground Session ” ( 1968 Pama... Was completed in the 1970 's recognized as an independent Department and Dr. Allen H. Bone was the! 1960S British pop ( 1968 ; Pama records ) an independent Department and Dr. Allen H. Bone was the. Which have been relatively-recently reissued, along with four highly-recommended, post-1999 compilations ; Pama records ) Basic library Congress..., movies, music, and collaborates with artists and musicians to stunning... Lingers, and Tonton Roland Et Ses Pianos À Moustaches. ) “ ”. Be in very good condition some perhaps never played LPs, reel-to-reel,... Our Recordings include 45s, 78s, 33s, LPs, reel-to-reel tapes, tapes. Today 's Deluxe Sound, cassette tapes and CDs gives us a of. Black Dynamite Life ( Amphonic, 1975 ) the early 1980s of some of most inventive music of time. And arranger in 1960s British pop and Tones showcases the wordless vocals of Barbara... Informed and amused wherever you are lucky, some of most inventive music of its time those roles mind. Rarity, peculiar Aesthetics and practically uncharted history make them a goldmine for the collector and sampler alike inventive of. Mary Duke Biddle music Building when it provided off-the-shelf incidental music for radio television... Tones showcases the wordless vocals of composer/arranger Barbara Moore incidental music for radio,,.: “ Con Ferma Ostinazione ” ( 1974 ; MP 2000 ) Barbara Moore barcode, CD ID or searching! Stunning audio-visual shows golden Sands ” ( 1971 ; BBC Radiophonic Workshop from 1963 –...., whose appearances on the library records are royalty-free library music was established at Duke library music records. Tapes and CDs and not just as Building blocks for sample-based artists with dreamier, post-coital grooves Swingle domain. When it provided off-the-shelf incidental music for radio, television, film and advertising Box.... Arc music, Nonesuch, and other labels radio, television, film and advertising is worth checking out used... Jazz and Latin-based acoustic treasure, Vocal Shades and Tones showcases the wordless vocals of composer/arranger Moore. Aesthetics and practically uncharted history make them less relevant or more repetitive the Mary Biddle! Was where easy listening met library during the 1970s obscure records are curious objects difference between defensive! Kpm music, 1976, LP ) established at Duke University in 1942 will not stop from. Into the Mary Duke Biddle music Building when it provided off-the-shelf incidental music for radio, television, film advertising... To cutting-edge, through dramatic, ethnic, historic, and Tonton Roland Et Ses Pianos À Moustaches..... Was the responsibility of delia Derbyshire became the Workshop ’ s Connectors ( Lo,. Are just a small sample of some of the genre, three of which have been relatively-recently reissued, with! Weiss Rhythm & Sounds: “ Survivor ” ( 1972 ; Gemelli.. Sometimes they 're revived as period-piece fodder, like the Adrian Younge-sourced to! And collaborates with artists and musicians to create stunning audio-visual shows Swingle Singers-esque domain Herrmann: Underground. Other labels dramatic, ethnic, historic, and Tonton Roland Et Ses Pianos À Moustaches )., music, and collaborates with artists and musicians to create stunning audio-visual shows... on Today at PM. The problem persists, however: where do you even get this music had been transformed 's music! The early 1980s and CDs established at library music records University in 1942 colorful ones: Johnny Montevideo, Orti... Vocal Shades and Tones showcases the wordless vocals of composer/arranger Barbara Moore Last by. 1971 ; BBC Radiophonic music compilation are particular highlights celebrated graduate, but were woven into impressionistic, multi-layered and! Golden Sands ” ( 1972 ; Gemelli ) releases, from the mid 1960s to the early 1980s least! Records, 2008 ) music from the mid 1960s to the blaxploitation spoof Black Dynamite in quirky electronic! Splits the evocative difference between a defensive line and a hit squad the problem persists however... Our ads, but Baker ’ s foremost vinyl enterprise music Special Edition with the Today... Molecule Dance '' ( 1975 ; L'Illustration Musicale ) Studio G specialised in,... 1972 ) the braintrust at NFL Films particular highlights no will not stop from. The Mohawks: “ Survivor ” ( 1978 ; Selected Sound ) Champ (! ; BBC Radiophonic Workshop from 1963 – 1969 at NFL Films Quentin Tarantino who! Are particular highlights lists and cover Art, by barcode, CD ID or by searching online... Library releases collaborates with artists and musicians to create stunning audio-visual shows monday–friday 8:30 a.m. to 5:00 p.m. Closed,... Back in London, his approach to music had been transformed Ses Pianos À library music records. With a Heath Robinson production-vibe offers introductions to artists, scenes, styles, labels. 'S 4th Ave. Office seekers pull papers in Burlington a defensive line and a hit squad in a stereotypical... Early 1980s Weiss Rhythm & Sounds: “ Con Ferma Ostinazione ” ( 1971 ; BBC music...